I've used Reamp Studio since it was in the prerelease "preview" versions, so I've spent a lot of time with it. Every amp has the same gain/tone stack/presence/depth/volume controls, but if you're good at tweaking & have a good selection of IRs, you can get a lot out of it (it comes with a good selection of IRs, but it helps to have your own selection to find the right combos). It lacks the individual details of the various amps - for instance, no bright switches or such. This is basically in the territory for me where, if I could only choose 1 amp sim, I'd go with Reamp Studio because of the range it covers, and what it's capable of. The only one that I've noticed is that, for some reason, the tremolo speed doesn't save its status when I save my session (thinking about it now - I should try to save it as a preset - in this case, I'm using it on a mix bus in Reaper with the amp & cab section disabled). There were some bugs that were introduced with various versions of the beta, but they seem to be ironed out now. #REAMP STUDIO FULL#Some of the amp models (they're individual channels more than full amps) are so-so, but others are fantastic. I will say that it's not perfect, but if you use the right IRs & EQ it well, you can get some incredible results. Shipping Size: 4" x 3" x 6./u/TDMZebra is right, I will be happy to convince you that it's worth the price (although, whether it's actually worth the price for you is a very subjective thing)! Construction: 14 gauge steel chassis & outer shell, baked enamel finish Polarity: 180-degree polarity reverse at 1/4" output Low-cut filter Low-cut: -3dB down 180Hz Mute: Mutes the output at the 1/4": unbalanced out Ground lift: Disconnects pin-1 at the XLR input XLR input: Balanced line-level, AES standard (pin-2 hot) Phase deviation: 2-degree 100Hz 0-degree 800Hz Inter-modulation distortion: 0.0025% 1kHz/-10dB input Total harmonic distortion: 0.001% 1kHz/0dBu input Common mode rejection ratio: -55dB 55Hz Frequency response: 20 Hz ~ 20 kHz (+0dB/-1dB) Audio circuit type: Passive, transformer isolated Improves productivity while expanding creative options Original Reamp circuit designed by John Cuniberti And Reamping is no longer just for guitars It is now common to Reamp bass, keyboards, drums, violin, and tons of other instruments.įeatures:- Lets you re-record tracks through a guitar or bass amp With today's unlimited track capabilities, Reamping is now accessible to everyone. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. #REAMP STUDIO PLUS#The current Radial version features separate XLR and TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. It features a 100% passive design with John's original custom wound 'Made in the USA' transformer and circuit. The Radial Reamp JCR is the recent version of the original Reamp that was designed and patented by John Cuniberti. Best of all, you can Reamp the track later as the production develops. Once the session has been captured, you can reamp the track at your own convenience, giving you time to try various amplifiers or introduce effects. The benefits are tremendous: instead of worrying about the sound of the track, you can focus your attention on getting the best musical performance. The Radial Reamp JCR is a passive Reamper that allows you to take a prerecorded track and send it back to a guitar or bass amplifier and re-record it.
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